Intensive junk rock that you dig non-stop until someone closes that door, but as everyone knows after this, that door is open and will always be, we hope. GGGREMLINNN – It’s Open
Garage rock with the joy of playing and a dirty sound that makes you happy to hear, and if you ask me, you don’t need any keys to unlock the fans’ fascination. TANDOORI KNIGHTS – 88 Keys
When an intro rubs nicely before it turns into a great bass line with tight rhythms and tinkling guitars, I call it good news and enjoy it non-stop. IT’S FOR US: I’ve Got Good News
Lo-fi garage punk by some who are who they wanna be and play music full of creativity to love, and I can’t imagine anything worse than not digging this. MOUSES – Fiends
With fragile elegance and inner glow, we get deeply unique indie pop that makes you slowly want to soft dance around until you get holes in your socks… ALENA SPANGER – Ines
Dark post-punk that is visualized through gray-mottled tones and when loneliness sets in, it’s great to have music in the same tone as company. JELLEPHANT – Orange
In a messy punk banger with a DIY sound, I get carried away, so I turn off the TV and devote the rest of the time bowing for the Rat King, and dig hard. ANIMAL MOTHER – Rat King
Wonderfully punky post-punk with pumping bass, dull wailing guitars, and contemplation puts me in calm ecstasy while enjoying their asphalt blackness. SPADER KUNG – Asfaltsbarnens Klagan
With energetic fizz in a feverish electropunk bang at high revs, it’s really quite irresistible, but beware of damaging your dancing feet. THE SCANERS – Satellite Rain
Stompy bit that is conveyed with weight and uses garage-heavy rock with psychedelic tendencies that to some extent evoke dizzy dancing circles… DEAF WHIP – The Judge